Esther Tretiakova

Download Now Server 1 Download Now Server 3 Download Now Server 2 Montas is an elegant display serif with high contrast. Designed to be fit on a vintage-themed design project or the modern one. Its bolder weights are suitable for a striking headline, while the lighter weights are suitable for a short paragraph as well. Download Montas Fonts Family From Nasir Udin

Download Now Server 1 Download Now Server 2 Download Now Server 3 Syphon is a family of sans serif fonts designed in the neo-grotesk style. It also includes a little kick, separating it from other typefaces in that genre: its diagonal letters feature stark contrast. The diagonals that are typically written with thin strokes in classic serif typefaces maintain thin strokes in Syphon as well, even in the family’s lightest weights. Speaking of weight, Syphon features ten font styles spread across five weights; these range from Thin through Bold. Every weight has both an upright font and an italic on offer. The italic fonts in Syphon are designed in the ‘oblique’ style. The fonts feature a tall x-height. Ascenders rise slightly above the tops of the capital letters, and the the numerals are slightly shorter than the uppercase letters’ height. Lines of text in Syphon can be set tightly and compactly; the uppercase includes no descending elements – both the ‘J’ and ‘Q’ keep all of their

Download Now Server 1 Download Now Server 2 Download Now Server 3 Claire is a family of fonts with sturdy serifs. Several of the weights in the family are optimal for setting large amounts of running texts; the extreme light and heavy fonts, on the other hand, work great together in display applications. The letterforms in Clair have a vertical axis, and their design is reminiscent of contemporary newspaper fonts, as well as late-nineteenth century typefaces along the Century model. Claire includes 12 styles ranging in weight from Thin to Black. Each of those six weights has a companion italic font, too. Claire ’s letterforms feature thick slab-like serifs that are bracketed onto their stems. Since the proportions of its uppercase letters are nineteenth-century, they optically feel like they are all almost the same width. The same is true for the numerals, which share the same height as the capitals. The numerals include nice, decorative features, such as flag-like strokes on the bot

Download Now Server 1 Download Now Server 3 Download Now Server 2 Palio is a family of fonts derived from the classic Didone, its capitals are slightly condensed and the lower case definitively abandon the reminiscent of the baroque endings strokes, which are still endure in many typefaces. It is an elegant font especially the slant version that actually is a truly italic. This version very readable and is enriched with a series of alternative variables and swashes that make it more expressive for certain projects that need some flowering. Download Palio Fonts Family From Eurotypo

Download Now Server 1 Download Now Server 3 Download Now Server 2 Hedra is an experimental sans with monolinear strokes mixing two typographic strands. On the one hand, the letterforms are very geometric: ‘O’ and ‘o’ are nearly perfect circles with just a small bit of optical correction to make them more readable. Together with the common ‘diagonal nature’ applied to some letter parts, Hedra feels quite technical and text set in it even almost looks futuristic. On the other hand, the letterforms incorporate some art nouveau qualities: the diagonals inside the ‘A’, ’B’ and ‘E’ are more historic than technical, while the ‘K’, ‘V’, and ‘W’ all have some unconventional rounded elements that seem like call-backs to the beginning of the twentieth century. Via an OpenType feature, users can make text look more technical and less historical if desired: Stylistic Set 1 repl

Download Now Server 1 Download Now Server 3 Download Now Server 2 Associate Sans is a large family of ten sans serif fonts. The typeface is perfect for use in Editorial Design. Its letters have a strong ‘American gothic’ look. This genre has been used since the early 20th-century for the design of publications, corporate identities, and even the small print in newspapers and magazines. While Associate Sans’s letterforms appear to be monolinear, this is not entirely so. Several optimal tricks have been drawn into the typeface’s letterforms to optimise them, and give them this look and feel. Like other ‘American gothics,’ Associate Sans features double-storey lowercase ‘a’ and ‘g’ letters. Each of the family’s five weights – from ExtraLight through Bold – has a companion italic font. These italics should really be called ‘obliques,’ since they use th